Metaphysiks of Armizare

The Metaphysiks of Armizare; Theory to Doctrine, Doctrine to Practice

By Christian Cameron, IAS

This article is not founded on my belief that I am a particularly gifted swordsperson.  Rather, it is founded on the observation that too many swords people with solid training and principles in the art don’t seem to be aware of ways to think about their art or put together various essentials of training which they fully understand into a single, coherent ideal of a system, which they can thus translate into performance (and then practice).  Put simply; they know a lot, and yet, they do not fight well.

Let me add that I don’t think I’m going to tell any experienced swordsperson anything they have not heard before.  I’m just going to try to codify some things, like a philosopher or theologian. Hence that threatening word, ‘Metaphysiks.’


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Writing Fiore: Fiction as a Window to the Master’s Mind

‘I, Fiore, am of the opinion that few in the world are Masters of this art, an art for which I want to be remembered’

[N.B. — IAS is pleased to have among its membership, renowned historical fiction and fantasy author Christian Cameron. An historian, former intelligence officer and long-time historical reenactor, Christian’s writing focuses on looking into the minds, lives and motives of “those who fight”, vividly bringing other times and places to life. In researching the world of the 14th century he discovered armizare , which plays a role in both his “Chivalry” and “Traitor Son” series, particularly the former, where a young Fiore dei Liberi himself appears as a character!

The young Fiore we first meet late in The Ill-Made Knight and learn a great deal about in the sequel, The Long Sword, is perhaps not the figure we would expect. Neither Yoda (nor even Luke Skywalker) nor Miyamoto Musashi in plate armour, he’s simultaneously brilliant and dense, blunt and emotionally awkward, suggesting a modern diagnosis of Asperger’s Syndrome on Autism Spectrum Disorder. Is this our man, or just a bit of fictive fantasy useful to Christian’s story? As you will see, Christian himself argues the answer may well be “why not both?”]


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